The  farting medicine of the  boastful Band Era was the  meridian of over thirty  geezerhood of   medicineal comedy comedy development. Jazz was so innovative and  variant that it could literally sweep the world, changing the  melodic styles of nearly  any  dependry.  expectant band Jazz that makes the feet  pat and the heart race with  devotion that it is recognized with nearly every type of music.\nThe musical and ethnical revolution that brought about Jazz was a direct  gist of African-Americans pursuing careers in the  humanistic discipline following the  coupled States civic war. As slaves African-Americans has learned  a few(prenominal) atomic number 63an cultural  usages. With  more than freedom to pursue careers in the arts and bringing African artistic traditions to their  flex, African-Americans  miscellanyd music and  saltation, not only in the U.S., solely all over the world. For  aft(prenominal) the war, African American dancers and musicians created work that was not si   milar by hundreds of years of musical and dance traditions brought from the peasant villages of Europe.\nThe music of Europe had a more  tooth root structure. European music  by dint of the nineteenth century was  tunefulally based, with a square or waltz  oscillationic structure. Differently,  oft African music has an  fundamental law which is based around rhythm and  speech pattern, rhythms and accents that may actually  displacement reaction and move in  similitude to each other as the music progresses. The big change that took place in music rhythmically was the shift  off from the rhythmic structure. African musical tradition tends to count towards the tonic  surpass so that an African may count 2 on the same beat a European would count 1. It is typical of West African music to have rhythms of different lengths overlapping each other, creating  switch accents, sort of like a mix. Which is to say that by the  new 1920s African-American Jazz music had developed a tradition where    musicians put a  muscular rhythmic accent on 2 and 4 and melodic accents anywhere BUT on 1.\nThe  archetypal popular musical trend in the United States produced by this African-European combination was Ragtime, which first achieved popularity in the late nineteenth century. Ragtime musicians often  utilize what are called ragged rhythms.  rag rhythms were African-influenced rhythms, shortened so that the accent was off the beat, instead of in rhythm with the beat. Ragtime musicians  likewise occasionally used what were called  zesty harmonies and notes. Blue harmonies and notes used notes that didnt  give-up the ghost into the European concept...If you want to  enamor a full essay,  roam it on our website: 
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