Dante Rosettis The Orchard-Pit mixes biblical allusions of the Fall of Man with a dash of fab symbolism to create an interesting spin on the piece of music of destruction and the Maiden. With the use of these literary allusions, Rosetti seems to be suggesting to the reader that Death is the Maiden, or at least the hand maid of Death...the exercise through whom Death traps its victims.
In The Orchard Pit the biblical resource focuses around the story of Eden, and Eves role in the original strike from grace. The garden of Eden itself is often alluded to throughout the poem. Intermixed with these biblical allusions is the honorable mention to Ulysses Sirens from classic mythology. This creates a sort of juxtaposition of these two feminine roles, the Siren that lures sailors to their death with the power of their beauty and (as alluded to in the take form at hand) the power of Eve and her sexuality over ex that drove him to be blinded to the sin that would destroy him. end-to-end the poem, these two roles be interchangeable with the same results-death/destruction to the lover, namely, man.
Stanza unitary opens with the classic Fall from grace image of plucked apples that channel to death. The men lie below the apple tree with the forbid apples in their hands, their guilt obvious.
The words below and bitter feature with the word tick from the poems title also lead unrivaled to the conclusion that these men that rot away in the strike out below are those who succumb to temptation, and are in more or less way the bad apples of the world. Thus making the orchard pit itself the frame where all the bad apples are doomed to rot, some are only ancient bones that blanch, a pit not too much unlike the biblical...
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