Gericaults downas legacy in art and politics Theodore Gericaults greatest legacy as an artist is undoubtedly his Raft of the Medusa, completed in 1819. The painting is the comprehensive result of experiments with a variety of forms and styles; it guess the apogee of Gericaults career. Beautiful and horrible, incidental and ubiquitous, monumental without a particular(prenominal) hero, The Raft of the Medusa was to the Salon of 1819 a complete paradox. The paintings maiden critics were dual-lane in their assessments by their political and fine ideologies. both(prenominal) critics at the paintings sign exposition desired a take in more than blatant in social criticism slice others matt-up that the painting derided the very patriotism they felt needed protection. artistically too Gericaults masterwork was found to be an enigma. He followed no artistic school coherently and attempted a alliance of sorts that was strange in his day. While such efforts did not pass just about him with his Romantic contem...If you want to get a full essay, order it on our website: OrderCustomPaper.com
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