A Good Short Story

In a goldbrick story, both element of description should lead to a revealing that is key to the disaster. This is precisely the case with "The Yellow Wallpaper," in which the increase revelation enables the reader to first suspect, and then know for a certainty, that the character is insane.

In "The Yellow Wallpaper," the sentences are fairly short, approximately conversational, which enhances its ease of reading. The story itself is only 12 pages long, so the indite had to set up the plot, gradually uncover the character's madness, and reach the denouement in short order. This brevity heightens the story's intrigue, because the reader must occur as quickly as the story does in grasp the conclusion that the woman is mad.

To deliver a great daze in a short space, "The Yellow Wallpaper" is pen from the point of view of the madwoman.

Since everything in her world seems logical and explicable to her, the reader does not at first suspect her madness.

In the beginning, the more than likely exposition is that the woman's husband is only trying to make her believe that she is ill. In fact, everyone is suspect from the madwoman's point of view except herself. Therefore, by the era the things she says begin to reveal that she might be insane, the reader is already in the grip of horror as her insanity manifests itself more rapidly at the end. She goes from suspecting that she sees a woman in the wallpaper to revealing that she is that woman and she has escaped. When she tells this to her husband, he faints, and she has to "creep over him every time," indicating that she continues to creep around the perimeter of the room and crawls over his torso every time she comes to it (Gilman, 20).

"The Yellow Wallpa
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